战争纪实·民族主义·女性解放——论庐隐的长篇小说《火焰》  

War Record,Nationalism and Women's Liberation:On Luyin's Novel Flame

作　　者：杨昊霖 YANG Haolin(School of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610064)

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《绵阳师范学院学报》2023年第9期111-119,共9页Journal of Mianyang Teachers＇ College

摘　　要：长篇小说《火焰》是庐隐创作道路上具有重大转折意义的标志之作,但由于时代动荡剧变和庐隐的骤然离世,《火焰》在后世鲜被人专门论及。实际上,小说以“一·二八”淞沪战争纪实为素材,以自叙传体的写作手法在同时期、同题材的作品中独树一帜,只是由于作者的民族主义立场与世界主义观念相矛盾,才使小说的艺术价值大打折扣。庐隐之所以在小说中建构的民族主义立场较为生硬,是因为她在经历了“一·二八”淞沪战争后意识到,民族解放是女性解放的前提,尽管她的民族主义立场与世界主义的价值观念相冲突,但还是毅然以民族主义观念为指导进行创作,曲线实现自己一以贯之的女性解放理想。The novel Flame is a sign of great turning significance in Luyin's creation,but due to the turbulent and drastic changes of the times and Luyin's sudden death,Flame is rarely discussed specifically in later times.In fact,the novel is unique among the works of the same period and subject with the self-narrative writing technique based on the record of the"January 28"Shanghai War.Only because of the contradiction between the author's nationalist stance and the concept of cosmopolitanism,the artistic value of the novel is greatly reduced.The reason why Lu Yin constructs a relatively blunt nationalist stance in her novel is that she realized that national liberation is the premise of women's liberation after experiencing the"January 28"Anti-Japanese War in Shanghai.Although her nationalist stance conflicts with the values of cosmopolitanism.She still resolutely works under the guidance of nationalist concepts to indirectly fulfill its consistent ideal of female emancipation.

关 键 词：庐隐 《火焰》 战争纪实 民族主义 女性解放 

分 类 号：I207.4[文学—中国文学]