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作 者:周志慧 刘铁军[1] Zhou Zhihui;Liu Tiejun
机构地区:[1]清华大学美术学院,北京100084
出 处:《家具与室内装饰》2023年第9期1-7,共7页Furniture & Interior Design
基 金:清华大学研究生教育教学改革项目(202007J032)。
摘 要:委角——中国传统家具上常见的轮廓性装饰形态,具有东方美学特征,是中国传统家具视觉营造中形制上独特的设计语言。本文的研究重点集中于对清代家具委角形态的设计应用研究,从委角形态在清代家具上使用的普遍性角度出发,调研多地博物馆留存的清代家具实物,收集大量实物样本用以量化分析,用大数据的研究结果来剖析委角,以形态学为研究视角把委角分为二维与三维形态,结合设计学、考古类型学等多角度综合交叉进行研究。透过委角形态应用研究,来寻找中国传统家具局部形态的设计美学价值。Wei Jiao,a common outline decorative form on traditional Chinese furniture with Oriental aesthetic characteristics,is a unique design language in the visual construction of traditional Chinese furniture.The research focus of this paper is on the design and application of Wei Jiao of Qing Dynasty furniture.From the perspective of the universality of Wei Jiao employed in Qing Dynasty furniture,the paper investigates the Qing Dynasty furniture objects retained in museums in countless places,collects a multitude of samples for quantitative analysis,explores Wei Jiao with the research outcomes of big data,and divides Wei Jiao into two and three dimensions from the perspective of morphology.Combined with design science,archeological typology,and other multi-angle comprehensive cross-research Through research on the application of Wei Jiao,this paper tries to discover the aesthetic value of the local form of Chinese traditional furniture.
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