清代江南文化家族的诗学胜境与衍生路径——以京口鲍氏父女为例  

The Poetics and Its Derived Path of the Jiangnan Cultural Family in the Qing Dynasty: The Case of Jingkou Bao Gao and Bao Zhihui

作　　者：束莉 李紫柔[2] SHU Li;LI Zirou(Office for Editing and Publishing Ancient Works,Anhui University,Hefei 230039,Anhui;College of Chinese Language and Literature,Anhui University,Hefei 230031,Anhui)

机构地区：[1]安徽大学古籍整理办公室,安徽合肥230039 [2]安徽大学文学院,安徽合肥230039

出　　处：《阜阳师范大学学报（社会科学版）》2023年第3期71-77,共7页Journal of Fuyang Normal University：Social Science

基　　金：国家社会科学基金项目“异质文化交流视野下的魏晋南北朝女性文学研究”(19BZW064)。

摘　　要：有清一代,以地域为标识、家族为本位的文学集群纷纷涌现,尤以江南地区蔚为大观。京口鲍氏家族“以文学世其家”,其中与主流文坛联动最为密切者,当属雍乾之际名士鲍皋及其次女鲍之蕙。鲍之蕙女承家声,呈现了江南文化家族发展中一种值得注意的特殊征象。此外,她紧随时变,转益多师,其诗作不仅呈现了江南地区独特的山水景观和人文蕴涵,还展现了江南文化家族在突破性别及观念界域之后,在衍生路径上的多种可能性。During the Qing Dynasty,a wave of literary clusters emerged,with the region as the symbol and the family as the standard,especially in the Jiangnan region.The Bao family of Jingkou was“famous for literature”,with the famous poet Bao Gao and his daughter Bao Zhihui being particularly connected to the mainstream literary scene during the reign of Yongzheng and Qianlong Dynasties.The cultural inheritance pattern of father and daughter presents a noteworthy phenomenon in the development of cultural families in the Jiangnan region.Besides,Bao Zhihui evolved with the times and drew inspiration from multiple teachers.Her poetry not only captures the distinct landscape and cultural significance of the Jiangnan region,but also demonstrates the diverse possibilities for the development of cultural families beyond traditional gender and conceptual boundaries.

关 键 词：鲍皋 鲍之蕙 江南文化家族 格调派 性灵说 

分 类 号：I206.2[文学—中国文学]