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作 者:段知力[1] DUAN Zhili(The Art College of Hunan City University,Yiyang,Hunan 413000,China)
机构地区:[1]湖南城市学院美术与设计学院,湖南益阳413000
出 处:《城市学刊》2023年第4期81-86,共6页Journal of Urban Studies
基 金:湖南省社会科学成果评审委员会一般资助课题(XSP20YBZ147)。
摘 要:苗族服饰被誉为“穿在身上的史诗”,在长期的历史迁徙和生境适应中,苗族服饰不断演变发展。雍正四年,清王朝开始在西南少数民族地区实施改土归流政策,对湘西苗族服饰文化变迁产生了重要影响。改土归流后,湘西苗族服饰从款式、面料、制作以及功能等方面都发生了变迁,这种变迁使得湘西苗族服饰更加实用,也更符合现代审美要求。The Miao costume is known as"the epic worn on the body".In the long-term historical migration and habitat adaptation,the Miao costume gradually formed,constantly evolved,and finally developed.In the fourth year of Yongzheng of Qing Dynasty,the Qing Dynasty began implementing political reformation and returning to the ethnic minority areas in southwestern China,which had a significant impact on the cultural changes of Miao ethnic clothing in Xiangxi.After the reformation,the clothing of Miao ethnic group in Western Hunan has changed from the aspects of style,fabric,production and function,which makes the clothing of Miao ethnic group in Western Hunan more practical and conformed with modern aesthetic requirements.
分 类 号:K901.6[历史地理—人文地理学]
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