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作 者:孙艳群 SUN Yanqun(Department of Humanities and Social Sciences,Dalian University of Technology,Dalian Liaoning 116024)
机构地区:[1]大连理工大学人文与社会科学学部,辽宁大连116024
出 处:《牡丹江大学学报》2023年第9期8-15,共8页Journal of Mudanjiang University
摘 要:黎紫书小说从弑父厌母的“非常态”家庭处境刻画儿童情绪,再以儿童碎片化的感性经验及神秘臆想去解读生存世相。作者回避塑造常规化天真单纯的儿童形象,聚焦“问题儿童”,其皆因原生家庭问题而罹患精神创伤,继而以反叛或暴力的形式抵抗现实。同时,作品脱离纯粹的儿童视界及思域,消解儿童视角“纯诗”的原初体验,作者现实成人思维不断介入并操纵儿童心理,导致小说的儿童视角一直在儿童/成人之间游移,使得小说本应偏离父权文化的书写裂痕呈现弥合状态。借助儿童之眼,黎紫书不自觉地参与到男性认知流通,对父权男权的解构初衷滑向妥协性,暴露出黎紫书本人的“角色困惑”以及马华女性现实境遇的生存之痛。Li Zishu's novels depict children's emotions from the“abnormal”family situation of murdering their fathers and hating their mothers,and then use children's fragmented perceptual experiences and mysterious imaginings to interpret the world of existence.The author avoids portraying the normalized innocent and innocent child image,focusing on“problem children”,who are traumatized by their original family problems,and then resist reality in the form of rebellion or violence.At the same time,the work breaks away from the pure children's vision and ideology,and dissolves the original experience of“pure poetry”from the children's perspective.The author's realistic adult thinking continuously intervenes and manipulates children's psychology,resulting in the children's perspective of the novel constantly wandering between children/adults,making the novel book the cracks in writing that should deviate from the patriarchal culture are closing.With the help of children's eyes,Li Zishu unconsciously participates in the circulation of male cognition,and the original intention of deconstructing patriarchal patriarchy slips into compromise,exposing Li Zishu's own“role confusion”and the existential pain of MCA women's reality.
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