改革开放以来周来祥美学中的“物性”思想之演变  

An Exploration of the Evolution of the Thought of“Materiality”in Zhou Laixiang’s Aesthetics in the New Era

作　　者：高峻[1] GAO Jun(Shandong Normal University,Jinan 250014,China)

机构地区：[1]山东师范大学,济南250014

出　　处：《云南大学学报（社会科学版）》2023年第5期46-53,共8页The Journal of Yunnan University:Social Sciences Edition

基　　金：山东省社科基金规划项目(项目号:21CWYJ43)的阶段性研究成果。

摘　　要：在对马克思主义之“物”的阐释与解读中,形成的“物性”思想之演变是改革开放以来中国新时期美学之“中国特色”的独特体现,其根本上是马克思主义美学之中国化的产物。探讨改革开放以来周来祥先生之和谐美学中的“物性”思想之具体演变,以管窥中国新时期美学之发展逻辑:其以改革开放前20世纪五六十年代马克思主义物质观(客观物)和形式观为理论基础和出发点;改革开放初七八十年代的“关系说”“和谐论”等“物性”思想标志着和谐美学的正式形成;八九十年代则关注物之“整体性”(系统论)及“历史性”;21世纪进一步提出“超二元对立”思维模式与“物的现实性”问题——“社会主义和谐社会”之构建的意义。In the elucidation and interpretation of the“materiality”concept of Marxism,the evolution of the“materiality”ideology is a unique manifestation of the“Chinese characteristics”of Chinese aesthetics in the new era since the reform and opening-up in China,which is fundamentally a product of the Sinicization of Marxist aesthetics.By exploring the specific evolution of Zhou Laixiang s concept of“materiality”in his“harmony aesthetics”in the new era,we can glimpse the developmental logic of contemporary Chinese aesthetics:it was based on the Marxist material(objective)and formalist views of the 1950s and 1960s as its theoretical foundation and starting point;the“relationship theory”and the“harmony theory”of the early 1970s and 1980s in the early stage of the reform and opening-up in China marked the acknowledged establishment of harmony aesthetics;in the 1980s and 1990s,attention was paid to the“wholeness”(systems theory)and“historicity”of things;in the 21st century,it finds expression in the thinking mode of the“super-binary opposition”and the problem of the“reality of things”.

关 键 词：周来祥 和谐美学 物性思想 

分 类 号：B83-0[哲学宗教—美学]