国外城市中心商务区的公共艺术建设模式研究——以纽约、巴黎、东京为例  

The Construction Mode of Public Art in Central Business Districts of Foreign City:Taking New York,Paris and Tokyo as Examples

作　　者：李家宁 李险峰[1] 李源 任子奇 Li Jianing;Li Xianfeng;Li Yuan;Ren Ziq

机构地区：[1]中国农业大学园艺学院 [2]天津城建大学建筑学院

出　　处：《华中建筑》2023年第10期51-55,共5页Huazhong Architecture

摘　　要：公共艺术作为存在于城市公共空间并为公众服务的艺术,是优化城市环境、传承城市文脉的重要载体和手段。该文选择纽约、巴黎、东京中央商务区作为研究对象,通过整理卫星地图、文献资料与网络数据中的相关公共艺术建设政策、作品表现形式信息,并结合ArcGIS分析公共艺术的空间分布特征,归纳总结不同国外城市中的公共艺术建设模式。研究发现,纽约曼哈顿下城、巴黎拉德芳斯和东京丸之内的公共艺术分别呈现出双中心团状、集中面状和双主干线状的空间分布特征,并分别形成鼓励自由创作、保障艺术资助及探索艺术实践的建设模式。同时,对比不同建设模式下公共艺术在城市中发挥的差异化作用,其经验可为我国推动公共艺术发展,打造高质量人文城市提供参考。Public art is an important carrier to activate urban environment and inherit urban spirit context through interacting with residents.In this article,the central business districts of New York,Paris and Tokyo are selected as the examples.Through satellite map,articles and network data,the themes,locations,and construction policies of public art are sorted out,and ArcGIS is combined to analyze the spatial distribution characteristics of them.The construction modes of public art in different foreign cities are summarized based on them.The study found that the public art in the central business districts of New York,Paris and Tokyo have showed spatial distribution characteristics of double center cluster,concentrated surface and double trunk line respectively,and formed the construction mode of encouraging free creation,guaranteeing art funding and exploring art practice.Meanwhile,by comparing the differentiated role of public art in cities under different construction modes,we hope to provide reference for promoting the development of public art and building high-quality humanistic cities in China.

关 键 词：公共艺术 中心商务区 建设模式 核密度分析 

分 类 号：TU-88[艺术—艺术设计]