时空叙事视角下红歌歌词的多维解读与价值内化机理  

Multidimensional Deconstruction and Value Internalization Mechanism of Red Song Lyrics in the Perspective of Spatio-Temporal Narrative

作　　者：张薇[1] 王悦 秦兆祥[2] 杨永春[3] Wei Zhang;Yue Wang;Zhaoxiang Qin;Yongchun Yang(College of Government Management,Inner Mongolia Normal University,Hohhot 010022,China;College of Tourism,Inner Mongolia Normal University,Hohhot 010022,China;College of Earth and Environmental Sciences,Lanzhou University,Lanzhou 730000,China)

机构地区：[1]内蒙古师范大学,政府管理学院,呼和浩特010022 [2]内蒙古师范大学,旅游学院,呼和浩特010022 [3]兰州大学资源环境学院,兰州730000

出　　处：《热带地理》2023年第10期1986-2000,共15页Tropical Geography

基　　金：国家自然科学基金“内蒙古城市多元类型族际空间互嵌形成机理研究”(42261032);国家社会科学基金“历史社会学视野下草原旅游地牧民生计方式变迁与民族文化传承研究”(18BSH005)。

摘　　要：红色歌曲记录了特定时空的家国故事,是传播中华民族精神,构建集体记忆,引发情感共鸣的宏大叙事。基于人文主义认识论,借助NVivo11软件,采用扎根理论、自然语言处理方法及LDA模型从时空叙事视角分析歌词文本的维度结构及其价值内化机理。结果表明:1)红歌歌词文本可分为时间、空间、记忆和精神4个维度,其中时间和空间是显性维度,而记忆和精神则是时空中的隐喻维度,呈现时空表现隐喻至时空表征的关联路径。2)红歌的价值内化体现为受众对多维度信息的接收、比对、叠加、重构、升华等系列过程,从而构建符合社会主流价值的思想和意识。3)红歌歌词的价值内化机理是政治话语、文化基因和现代性作用于媒介、教育、主体和社会等因素上的连锁反应。"Red songs"record the stories of family and country in a specific time and space and are grand narratives that spread the spirit of the Chinese nation,build collective memory,and trigger emotional resonance.Based on humanistic epistemology,this study constructs a theoretical framework for the interpretation of spatio-temporal narratives of texts.The text of red songs and the network hot comments are selected as the research objects.From the narrative perspective of chronological order and spatial structure,grounded theory,natural language processing method,and the Latent Dirichlet Allocation(LDA)model are adopted to explore the spatial and temporal meaning construction of the grand narrative under the scale of the family and the country.Additionally,the study investigates the internalization of the value mechanism of the emotional arousal and output of the creators of the text and the audience across the space and time is also investigated.The results reveal the following:(1)Red song lyrics can be categorized into four dimensions:time,space,memory,and spirit.The spatio-temporal performance of the red songs can be recognized as the stories of the family and the country that occurred in different spatial scales,such as body,place and region,during the periods of the New Democratic Revolution,socialist construction,reform and opening up,and the new era.This resulted in a condensing of the spatio-temporal course of revolution,resistance,liberation,struggle,and rejuvenation of the Chinese nation over the past hundred years.(2)The spatio-temporal dimension records the main vein of collective spatial practice and becomes the basic element of representation.The memory and spiritual dimensions are the core meaning of the representation,demonstrating that the spatio-temporal factor carries the national memory through the collective practice and metaphorically represents the spirit of resistance and struggle.(3)The red songs network hot comments are closely integrated with the four dimensions of the narrative text,presentin

关 键 词：时空叙事 红歌 多维解读 价值内化 机理 

分 类 号：G07[文化科学]