论黄蓓佳小说抒情艺术的嬗变  

Transmutation of the Lyric Art of Huang Beijia’s Novels

作　　者：吴学峰 WU Xue-feng(School of Liberal Studies,Yancheng Teachers’University,Yancheng 224002,China)

机构地区：[1]盐城师范学院文学院,江苏盐城224002

出　　处：《南通大学学报（社会科学版）》2023年第5期72-79,共8页Journal of Nantong University:Social Sciences Edition

基　　金：国家社会科学基金重大项目“华文文学与人类命运共同体研究”(22&ZD280)子课题“文学与人类命运共同体建构关系研究”。

摘　　要：20世纪80年代末,黄蓓佳小说增强了社会现实书写,告别了浪漫主义抒情时代。然而她没有让小说抒情陷入萎缩或停顿状态,而是传承转化中国抒情传统里内化与符号化的艺术手法,以达到保存美感、隐喻情感与注释时代的效果。她在小说里描绘抒情主体由刻画耽溺于抒情的个人形象转向塑造主体间性突出的个体,强调宏大目标对主体召唤应努力与人的个体需求保持统一,契合呼应了中国抒情传统的社会性与道德性。黄蓓佳小说内化了她的生命体验与美感经验,融入了其对中国历史的有情反思与传统文化的孺慕之情,不仅能诗意诠释个人的情感与理想,还能生动演绎出民族精神、家国情怀等宏大价值意识,创造了富有人性温度、历史深度、文化高度与思想力度的抒情境界。At the end of the 1980s,Huang Beijia’s novels strengthened the writing of social reality,ending the lyrical era of romanticism.However,she did not stop the lyricism of novels;instead,in order to achieve the effect of preserving beauty,metaphorical emotions,and annotating the era she inherited and transformed the internalization and symbolization of Chinese lyrical tradition.In her novels,she portrays the lyrical subject shifting from confused self-lyrical image to individuality of intersubjectivity,emphasizing that the call of grand goals to the subject should maintain consistency with individual needs,in line with the social and moral nature of Chinese lyrical tradition.Huang Beijia’s novels internalize her life experience and aesthetic experience,and integrate her passionate reflection on history and traditional culture of China.Her novels can not only interpret personal feelings and ideals poetically,but also interpret the national spirit,patriotic sentiment and other values grandly,creating a lyric realm full of human warmth,historical depth,cultural height and ideological strength.

关 键 词：黄蓓佳 小说 抒情艺术 嬗变 境界 

分 类 号：I207.42[文学—中国文学]