蒲松龄的《画壁》与波提切利的《春》  

Pu Songling's The Painted Wall and Botticelli's Primavera

作　　者：朱丛丛 翟玮[2] ZHU Cong-cong;ZHAI Wei(Department of Fine Arts,Zibo Normal College,Zibo 255130,China;School of Culture and Tourism,Zibo Normal College,Zibo 255130,China)

机构地区：[1]淄博师范高等专科学校美术系,山东淄博255130 [2]淄博师范高等专科学校文旅学院,山东淄博255130

出　　处：《蒲松龄研究》2023年第3期66-73,共8页Study on Pu Songling

摘　　要：蒲松龄是中国伟大的小说家,波提切利是意大利伟大的画家。两人相隔二百年和千万里,所从事的艺术种类也不同。但是“东海西海,心理攸同”,蒲松龄的小说艺术竟和波提切利的绘画艺术相遇相通了。蒲松龄通过想象虚构了一幅壁画,给我们打开了无限的想象空间;傅雷通过波提切利的画,给我们展示了一种欣赏名画的无限可能。蒲松龄的《画壁》和波提切利的《春》,都以“爱娇”的魔力,把读者给吸引住了。Pu Songling is a great Chinese novelist,while Botticelli is a great Italian painter.Two hundred years and thousands of miles apart,the two men engaged in different forms of art.However,despite the geographical and temporal disparity,there is a surprising convergence between Pu Songling's literary art and Botticelli's painting art.Pu Songling created an imaginary mural in his fiction,opening up endless imaginative possibilities for readers.On the other hand,Fu Lei,through Botticelli's paintings,demonstrated the infinite possibilities of appreciating famous artworks.Pu Songling's The Painted Wall and Botticelli's Primavera both possess the enchanting power of love and charm,”which captivates readers.

关 键 词：蒲松龄 波提切利 傅雷 《画壁》 《春》 爱娇 

分 类 号：I207.419[文学—中国文学]