曾大兴教授的柳永研究——以柳永的“人品”和“词品”为中心  

Professor Zeng Daxing’s Research on Liu Yong:Centering on Liu Yong’s“Personality”and“Ci Style”

作　　者：任梦池[1] Ren Mengchi

机构地区：[1]商洛学院中文系,陕西商洛726000

出　　处：《南京师范大学文学院学报》2023年第3期66-74,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：陕西省教育厅重点研究项目:明清商洛地方志与地方旅游资源的应用研究(20JZ044);陕西省哲学社会科学项目:明清陕南地方志文献整理与研究(2018H11)。

摘　　要：自北宋至20世纪90年代以前,关于柳永的争议主要集中在两个方面:一是“人品”问题,二是“词品”问题。曾教授通过文献考证和文本细读,首次把柳永的生平和创作分为三个时期,把柳永对歌妓的态度作分期研究,在此基础上借鉴心理学的人格结构理论分析柳永对功名的态度,指出其则是以儒家的入世精神和市民的享乐意识之互补为特质;再就柳永自述和前人词话的有关记载,揭示柳永所遵循的是一条与歌妓乐工合作的创作道路,这就决定了他的作品必须适应歌妓的演唱需要和满足普通市民的审美情趣。From the Northern Song Dynasty to the 1990s,the controversy about Liu Yong main⁃ly focused on two aspects:one is“Liu Yong’s personality”;the other is“Liu Yong’s Ci style”.Through textual research and close reading,Professor Zeng divides Liu Yong’s life and creation into three periods for the first time,and studies Liu Yong’s attitude towards prostitutes according to sta⁃ges.Based on the these studies,Professor Zeng analyses Liu Yong’s attitude towards fame from the perspective of personality structure theory of psychology and points out that Liu Yong’attitude is characterized by the complementarity of the Confucian spirit of engaging with the world and the citi⁃zens’sense of enjoyment.Then,through Liu Yong’s self-statement and the relevant records of previous comments,Professor Zeng reveals that Liu Yong follows a creative route of cooperation with singing prostitutes and music players.This creation route requires that his works must meet the needs of singing prostitutes and the aesthetic taste of ordinary citizens.

关 键 词：曾大兴 柳永研究 人品 词品 

分 类 号：I207.23[文学—中国文学]