观物吟诗与内圣外王:论作为宋韵载体的邵雍诗歌  

“Composing poems while observing the nature”and“sageliness within and kingliness without”:on Shaoyong’s poems as the carrier of culture spirits of the Song dynasty

作　　者：马强才[1] MA Qiangcai(Humanities School,Hangzhou Normal University,Hangzhou China 311122)

机构地区：[1]杭州师范大学人文学院,浙江杭州311122

出　　处：《浙江师范大学学报（社会科学版）》2023年第5期1-12,共12页Journal of Zhejiang Normal University(Social Sciences)

基　　金：浙江文化研究工程重大项目“宋代文学研究”(23wh15zd)。

摘　　要：数量庞大的宋代诗歌,承载着宋韵文雅风流的核心文化内涵。今存1400多首邵雍诗作,集中反映了理学家的言理倾向,影响宋代诗坛的发展路径。诗集命名为“击壤”,传达生于太平盛世的幸运以及生活安乐闲适的自得,二者皆为太平社会的成立要素。诗集中塑造的安贫乐道的诗人形象,“乐天”的同时取法白居易诗学,书写自己的日常闲适生活。诗人身心清闲,坦诚面向万物,用诗发现物理人情,既写出天然秀句,也倾向言理说教,呈现“以意行文”的创作追求,这恰是宋诗好说理的整体艺术风貌。邵雍诗由表及里发掘日常生活的理性内涵,蕴含着“内圣外王”的现世追求,带动整个诗坛迈向较高境界。There are a great number of poems of the Song dynasty that carry the core cultural connotation of Song cultural spirits.Over 1400 existing poems by Shao Yong,represented the neo-Confucianists’practice to convey the theories of neo-Confucianism,and influenced the path to the development of poetry in the Song dynasty.The poetry anthology was named“Jirang”to express the author’s idea of being lucky living in a peaceful and prosperous time,and his contentment of having a safe and happy life.Shao tried to depict a poet who was lacking in wealth but rich in learning.He learned from Bai Juyi,a famous poet in the Tang dynasty,and narrated his leisure life.The poet was open to all and discovered the rules of society and nature through poems.There were not only beautiful sentences but also a free essay style to talk about theory,which was the important characteristic of the whole Song dynasty poems.To sum up,Shao’s poems that expressed the wisdom of“sageliness within and kingliness without”promoted the development of the Song dynasty poems.

关 键 词：宋韵 邵雍 《击壤集》 太平 宋诗 

分 类 号：I207.22[文学—中国文学] G09[文化科学]