镜像中的第三世界文学及其反叛  

Mirror-imaged Third World Literature and Its Rebellion

作　　者：刘骏 Liu Jun

机构地区：[1]南京林业大学人文社会科学学院,江苏南京210037

出　　处：《阿坝师范学院学报》2023年第3期120-126,共7页Journal of Aba Teachers University

基　　金：2023年度江苏高校哲学社会科学研究一般项目“印度英语文学儿童视角研究”(2023SJYB0167)。

摘　　要：杰姆逊与阿罕默德在1980年代关于民族寓言的经典争论,其实质是马克思主义的黑格尔学派和阿尔都塞学派的内部争论,但同时也卷入了第一世界和第三世界知识分子的文化对抗之中。在第三世界失去时效性的当下,杰姆逊在立足于资本全球化的多结构理解下继续深化其寓言理论的乌托邦内涵,阿罕默德则通过这场辩论提出了一种超越民族寓言的非等级合作的世界文学。The classic debate on national allegory between Jameson and Ahmad in the 1980s is essentially an internal one conducted between Hegelian Marxism and Althusserian Marxism.Jameson and Ahmad are both deeply involved in the cultural clash between the intellectuals from the first world and the third world.At the present time when the effectiveness of the term of the third world is absent,Jameson continues still to deepen the Utopian connotation of his allegory-based theory in the perspective of a multi-structural understanding of capital globalization.Ahmad has proposed a non-hierarchical cooperative world literature that transcends national allegory via this well-known debate.

关 键 词：民族寓言 第三世界文学 杰姆逊 阿罕默德 

分 类 号：I0[文学—文学理论]