《卷耳》奠礼说考论——上博简《孔子诗论》的另一重启示  

Ceremonial Explain of Juan Er:Another Revelation of the“Confucius Poetics”

作　　者：多洛肯[1] 赵钰飞 DUO Luo-ken;ZHAO Yu-fei

机构地区：[1]西北民族大学中国语言文学学部,甘肃兰州730030

出　　处：《中南民族大学学报（人文社会科学版）》2023年第9期148-156,187,共10页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家民委创新团队项目“中华文学遗产与中华民族共同体内涵建设”(民委发[2020]76号)。

摘　　要：上博简《孔子诗论》揭开了先秦儒家诗歌批评理论的一角,也启发我们重新认识《左传》和汉儒的解诗理念。结合西周的礼乐文化语境,通过对“永怀”“永伤”“金罍”“兕觥”“我马瘏矣”及采集情节的重新疏证,《卷耳》诗旨或可作天子奠礼解。“整编之诗”的诞生本身就是再创作的过程,周代士大夫们有可能做了同汉儒类似的“编故事”工作,这种以时代语境重构文学内容的可能性应当引起注意。Confucius Poetics of Bamboo Slips Collected by Shanghai Museum unveils a corner of the critical Confucian poetic theories of pre-Qin periods,and also inspires us to re-understand the concept of poetic interpretation in“Zuo Zhuan”and by the Han Confucians.Combined with the cultural context of rites and music in the Western Zhou Dynasty,with the re-elaboration the key phrases in the text,the author draws the conclusion that the purpose of the poem“Juan Er”may be the narration of the ritual ceremony of the King.The birth of“integrated poetry”itself is a process of re-creation.The scholar-officials of Zhou Dynasty may have done similar work of“making up stories”as the Confucians of Han Dynasty.This kind of reconstruction of literary content in the context of the specific times should be paid more attention.

关 键 词：《卷耳》 奠礼 周行 上博简 《孔子诗论》 

分 类 号：I207.2[文学—中国文学]