超社会体系下中、泰课诵仪式音乐的跨文化比较研究  

A Cross-Cultural Comparative Study of Chinese and Thai Ritual Chanting Music:A Perspective from the Super-Societal System

作　　者：董宸 Dong Chen

机构地区：[1]华南师范大学音乐学院

出　　处：《中国音乐》2023年第5期24-33,共10页Chinese Music

基　　金：2020年度国家社科艺术学一般项目“南方跨界族群音乐民族志的理论建设和选点、比较研究”(项目编号:20BD068)的阶段成果。

摘　　要：南传佛教文化圈中的音乐文化事项可被看作是由“超社会体系”的关系构成。本文以课诵仪式音乐为例,通过对中国西双版纳、泰国清迈南传佛教课诵仪式的整体构成方式、仪式内容组合、具体音乐产品等进行跨文化比较,分析异同、追溯成因,强调和解读同质异构的并接结构关系。The music system within the cultural sphere of Theravada Buddhism is comprised of a complex web of interrelationships known as the "super-societal system." This study aims to compare the cross-cultural compositions,ritual content,and musical products in Sipsongbanna,China,and Chiang Mai,Thailand.By analyzing the similarities and differences,this research seeks to uncover the underlying factors influencing their ritual chanting music,which exhibits a phenomenon known as "homogeneousisomerism." Through this analysis,we can gain insights into the interconnectedness of these two systems within the parallel structure of the "super-societal system."

关 键 词：南传佛教 课诵仪式音乐 超社会体系 跨文化 并接结构 

分 类 号：J607[艺术—音乐]