语言音乐学研究的回顾与思考  

A Retrospective and Reflection on the Study of Linguistic-Musicology

作　　者：肖志丹 Xiao Zhidan

机构地区：[1]湖南师范大学 [2]湖南女子学院

出　　处：《中国音乐》2023年第5期189-199,共11页Chinese Music

基　　金：2020年度国家社科基金冷门绝学研究专项学者个人项目“中国与东南亚瑶族《盘王大歌》系列传世唱本整理与研究”(项目编号:20VJXG022)的阶段成果;2023年度湖南省社会科学成果评审委员会课题《跨学科视域中湘南过山瑶民歌的语言音乐学研究》(课题编号:XSP2023YSC049)的阶段成果。

摘　　要：语言音乐学是跨涉于语言学与音乐学两个领域之间,讨论语言与音乐两种文化符号之相似性、差异性以及互生关系的分支学科,兼及声学、心理学、音乐治疗、音乐科技、音乐社会学等领域的关联探讨。国外语言与音乐关系研究强调成果的科学性、实用性和功能性的整合,国内语言音乐学研究注重多种路径和研究模式的实践探索。但语言音乐学作为一门新兴学科,当下还需从研究的族群对象、类型属性、文化层级、方法手段及功能回馈上不断拓展深耕,即多关注少数民族声乐类型及当代音乐的研究范畴,以科学与人文接通的思维,从表层的形态分析拓展至深层的社会文化语境的思考,并将研究成果回馈于教育实践与社会应用。Language-musicology represents a scientific discipline that bridges the realms of linguistics and musicology,delving into the intricate similarities,differences,and interrelations between language and music as cultural symbols.It also explores their correlations within the realms of acoustics,psychology,music therapy,music technology,and music sociology.International research on the language-music relationship emphasizes the integration of scientific,practical,and functional outcomes.Conversely,domestic research on language-musicology highlights the practical exploration of diverse paths and research models.However,as a burgeoning field of study,language-musicology needs to continually expand and deepen its research in various dimensions,such as ethnic group subjects,typological attributes,cultural levels,methodologies,and functional feedback.Specifically,it should prioritize the examination of vocal music genres among ethnic minorities and the investigation of contemporary music,transitioning from superficial formal analysis to profound contemplation of social and cultural contexts,thus fostering the integration of scientific and humanistic perspectives.The research outcomes should ultimately be applied to educational practices and societal contexts.

关 键 词：语言音乐学 语言与音乐 腔词关系 跨学科 

分 类 号：J60-05[艺术—音乐]