《不虚此行》:精神自传、普通美学与元电影——刘伽茵访谈  

Spiritual Autobiography,Ordinary Aesthetic and Meta-film:An Interview with Liu Jiayin,Director of All Ears

作　　者：刘伽茵[1] 王小鲁 Wang Xiaolu

机构地区：[1]北京电影学院文学系 [2]中国电影艺术研究中心

出　　处：《电影艺术》2023年第5期88-94,共7页Film Art

摘　　要：《不虚此行》是一部元电影,当导演/编剧反思自己的生活,这个生活又和电影创作息息相关的时候,就自然地让影片具有了一种元电影的风貌。由于角色的故事和导演的生活经验具有某种程度上的同构,本片可以看作导演的精神自传或自省。当影片成为对创作者精神困境的展现和具体解决的时候,创作就具有了某种令人感到充实和透彻的光辉。另外,本片也在某种程度上延续了导演以往对“真实”和“普通”的美学追求。All Ears is a meta-film.When the director reflects on her own life,which is closely related to the creation of the film,it naturally gives the film a meta-film style.The generation of Wen Shan's image is highly relevant to the relationship between Wen Shan and the director's life.Since the story of the character and the director's life experience are to some extent isomorphic,this film can be regarded as the director's spiritual autobiography or selfexamination.When the film becomes the presentation and concrete solution of the creator's spiritual dilemma,the creation has a kind of fulfiling and thoroughbriliance.

关 键 词：精神自传 生命反思 普通美学 元电影 

分 类 号：J905[艺术—电影电视艺术]