出位之思:图像《孔乙己》的批评功能研究  

Andersstreben:A Study on the Critical Function of the Image Kong Yiji

作　　者：张惠 ZHANG Hui

机构地区：[1]湖南第一师范学院文学与新闻传播学院,湖南长沙410205

出　　处：《湖南师范大学社会科学学报》2023年第5期129-138,共10页Journal of Social Science of Hunan Normal University

基　　金：国家社科基金一般项目“语图关系视阈下的鲁迅研究”(23BZW123);湖南省哲学社会科学基金一般项目“‘新批评’在百年中国文论中的接受研究”(22YBA254);国家社会科学基金一般项目“中国现代文学中的‘五四’书写研究”(19BZW151)。

摘　　要：自鲁迅的小说《孔乙己》发表后,陆续有画家围绕小说的人物形象与故事情节,创作了大量的图像作品,形成了另一种讲述孔乙己的方式。画家们在绘制《孔乙己》图像时,不仅用颜色、线条、光线等营构画面、再现文本,还借助图像自身的表意机制和独特的语法规则,去写意、抒情、表达观点,形成图像的“出位之思”。在价值判断层面,通过选编图像内容,营构了反抗式的启蒙精神图像和温情式的闲静生活图景;在审美阐释层面,通过审美本体的风格论、审美寓意的象征论与审美文化的畅神论,阐释了图像的自然意义、规约意义和内在意义;在社会批评层面,通过脚本、背景、题榜钤印等文字媒介观照与批判社会现实。After the publication of Lu Xun's novel Kong Yiji,painters created a large number of graphic works based on the characters and plot of the novel,forming another way of telling about Kong Yiji.When depicting the images of Kong Yiji,the painters not only used colors,lines,lighting,etc.to construct the picture and reproduce the text,but also utilized the inherent meaning mechanism and unique grammar rules of images to express emotions,convey viewpoints,and express views,forming the Andersstreben of the images.On the level of value judgment,they constructed the rebellious enlightenment spirit image and the warm and quiet life picture by selecting image content.On the level of aesthetic interpretation,they expounded on natural significance,normative significance,and intrinsic significance through discussions on stylistic theories related to aesthetic noumenon,symbolic theories regarding aesthetic implication,and discourses on aesthetic culture,the natural meaning.Furthermore,at the level of social criticism,they scrutinized and criticized social realities through scripts,background,sealing style and other writing.

关 键 词：《孔乙己》 图像 “出位之思” 批评功能 

分 类 号：I210.976[文学—中国文学] J205[艺术—美术]