作品结构与诗人艺能——从《鸟巢》“元诗”析解看格丽克“编织诗学”  

Structure of a Work and Artistic Creativity of a Poet:The Weaving Poetics of Gluick from a Metapoetic Analysis of"Nest"

作　　者：曾巍[1] ZENG Wei

机构地区：[1]华中师范大学文学院

出　　处：《广东外语外贸大学学报》2023年第6期33-43,共11页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金重点项目“英美女性诗歌中的神话改写研究”(21AWW010)。

摘　　要：格丽克的《鸟巢》可以析解为一首通过言说“客观对应物”来探讨诗歌创作问题的“元诗”。诗作描述一只鸟的筑巢过程,以比喻方式引入神话人物珀涅罗珀,进而与人类的物质和精神生产关联起来。鸟的筑巢与诗的创作,都可类比为一种“编织”活动。诗人的创作,从过往生活中寻找经验作为质料,诗人的心智将其转化为内在经验,再运用语言符号将其编织起来并赋予其结构。为作品赋形,体现出诗人作为艺术家的创造能力,在创造作品时言说主体也创造了全新的现实主体和全新的生活。诗歌的功用和意义,因此指向了此在的现实,指向了未来的行动。女性写作,也因此可以编织出属于她们自己的历史、现在和未来。"Nest"can be interpreted as a metapoem,which displays Louise Gluck's creation concept by way of"objective correlative".The bird's nesting becomes related to human beings'materialistic and spiritual production after the poem's alluding to the myth figure of Penelope.Nesting of a bird and creation of a poem both share the analogic meaning of weaving.Specifically,poets transform materials collected from life in the past into inner experience,and then shape it into a poetic structure by weaving with language symbols.Thus,the shaping of a work reveals the artistic capability of poets as well as the creation of a new subject in reality and a new life.The function of poetry lies not only in the reality at present,but also in actions of the future,and women's writing,then,is also a weaving of their own past,present and future.

关 键 词：格丽克 《鸟巢》 元诗 女性诗学 

分 类 号：I052[文学—文学理论]