“背德”内容与文学叙事——以《莎乐美》与《金阁寺》为例  

Immorality and Literary Narratives--A Case Study of Salome and the Temple of the Golden Pavilion

作　　者：栗桢 LI Zhen(Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学哲学学院,上海200433

出　　处：《天中学刊》2023年第5期102-108,共7页Journal of Tianzhong

摘　　要：“背德”是一把文学叙事的双刃剑,可以增加文学作品的情感、深度和张力,但也可能带来争议和负面评价。一方面,“背德”作为对道德禁忌的触碰,其表现力来自道德哲学所界定的道德规范力,因此文学作品可以通过构筑虚拟情境中对道德法则的“僭越”,最大限度地表现对立情绪或对立价值;另一方面,“背德”作为一种叙事策略也会将作品置于易受“道德主义”文论批判的不利境地。Immorality is a double-edged sword in literary narratives,since it is capable of adding emotion,depth,and tension to literary works but brings controversy and negative evaluations.Immorality derives its expressive power from the moral norms defined by moral philosophy.Therefore,literary works can effectively portray contrasting emotions or values by constructing scenarios that“transgress”moral principles within the realm of fiction.As a narrative strategy,immorality can also place a work in a vulnerable position,susceptible to criticism from moralistic literary theories.

关 键 词：背德 叙事策略 《莎乐美》 《金阁寺》 

分 类 号：I313.074[文学—其他各国文学]