《秦腔》新论:空间转捩下新乡土伦理形态的衍化  

The New Theory of Qin Opera:the Evolution of the New Rural Ethical Form under the Space Transition

作　　者：徐梅 李兆玥 XU Mei;LI Zhao-yue(Faculty of Humanities,Kashgar University,Kashgar Xinjiang 844008,China)

机构地区：[1]喀什大学人文学院,新疆喀什844008

出　　处：《湖北第二师范学院学报》2023年第9期1-5,37,共6页Journal of Hubei University of Education

摘　　要：“空间·伦理”研究双范式并置是近年贾平凹文本批评实践中尚值进一步拓深的理论新域,该两者的交互关系在《秦腔》文本中具体表现为:叙述承担者引生在“疯”与“不疯”两种心理意识形态间转圜,构成了向内聚焦与向外辐散的双向度叙事空间,并以此为基础呈现出内外两种空间中乡土伦理形态的时代衍化——引生“清醒”时关照的外部空间中旧宗族伦理走向没落;而其“疯癫”时私忖的内部空间则显示出当代乡村伦理公共性的崩坏,“伦理私有化”开始走向乡土生活舞台的中央。The juxtaposition of the dual paradigms of“space and ethics”research is a new theoretical field worthy of further development in Jia Pingwa’s practice of text criticism in recent years.The interaction between the two is specifically manifested in the text of Qin Opera:the narrative undertaker leads to the transformation between the two psychological consciousness forms of“crazy”and“not crazy”,which constitutes a two-way narrative space of inward focus and outward divergence.On this basis,it shows the evolution of the local ethics in both internal and external space,which leads to the decline of the old clan ethics in the external space that is cared for when“sober”;however,the internal space of private contemplation during its“madness”shows the collapse of the public nature of contemporary rural ethics,and“ethical privatization”begins to move towards the center of the stage of rural life.

关 键 词：乡土文学 双向度空间 伦理形态 《秦腔》 

分 类 号：I206.7[文学—中国文学] I06[哲学宗教—伦理学] B82-056