论跨门类艺术史的文献系统与知识学建构  

On the Document System and Knowledge Construction of Cross Disciplinary Art History

作　　者：李健 Li Jian

机构地区：[1]南京大学艺术学院,江苏南京210093

出　　处：《南京艺术学院学报（美术与设计）》2023年第5期123-128,I0011,共7页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金艺术学重大项目《跨门类艺术史学理论与方法研究》(20ZD25)阶段性成果。

摘　　要：作为一个总体概念的跨门类艺术史,既有区别于单一门类艺术史的研究路径和方法,又在文献系统的整理和运用方面形成了必要的内在规定性。其文献系统一方面需要在文献层级的纵向轴和介质类型的横向轴两个维度,加以必要的审察和规范;另一方面还可以借助“跨媒介共同体”概念,得到知识学建构意义上的有效揭示和说明。As an overall concept,cross disciplinary art history has different research paths and methods from single disciplinary art history,and has formed necessary internal regulations in the organization and application of document systems.On the one hand,its document system needs to be reviewed and standardized in both the vertical axis of the document hierarchy and the horizontal axis of the media type;On the other hand,the concept of"cross media community"can also be used to effectively reveal and explain the construction of knowledge.

关 键 词：跨门类艺术史 文献系统 知识学建构 总体性 跨媒介共同体 

分 类 号：J110.9[艺术—艺术理论]