试论《白雨斋词话》“词教”观的理论新意与词学影响  

An Analysis of Chen Tingzhuo's View of"Ci-poem's Moral Concept"and Its Theoretical Influence from Baiyuzhai Cihua

作　　者：焦寅烁 JIAO Yinshuo(School of Chinese Language and Literature,Nanjing normal university,Nanjing Jiangsu 210097,China)

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《四川职业技术学院学报》2023年第5期110-117,共8页Journal of Sichuan Vocational and Technical College

摘　　要：《白雨斋词话》是词学批评史上极为重要的一部理论著作,陈廷焯意欲以“沉郁”说建构“词教”观。这一“词教”观的理论新意表现为陈氏对词体的审美境界、社会功能、内容与形式之关系、雅正之辨的阐释,是陈氏基于词之体性与体格,因革常州派词论与传统“诗教”理论而来,即词体的长短句形式有着较强的节奏韵律,故将词之体性溯至乐府,提倡教化;又继承了常州派一贯推尊词体的作风,将词之体格上攀《风》《骚》,讲温厚寄托,于词史与后世批评史建构方面厥功甚伟。Baiyuzhai Cihua is an extremely crucial theoretical writings in the history of Ci criticism.CHEN Tingzhuo intends to clarify"Ci-poems moral concept"by promoting"Chenyu concept".The innovation of this idea is manifested in Chen's interpretation of the aesthetic realm,social function,the relationship between content and form and the distinction between elegance and righteousness of Ci-poems,which is based on the inherent quality and features,and is derived from the reform of Changzhou genre and the traditional theory of"poetry moral concept",that is,the linguistic form of Ci-poem has a strong rhythm,so he traces this form to Yuefu and advocates moral concept;It also inherits the theory of Changzhou genre that has repeatedly improved status of Ci-poems,which has made great contributions to the constructions of the history of Ci-poems and criticism in later generation.

关 键 词：《白雨斋词话》 沉郁说 诗教 词教 

分 类 号：I206[文学—中国文学]