诗影共读:《先知》与《永恒》的多重互文性诠释  

Co-reading of Poetry and Film:The Multiple Intertextual Interpretation of The Prophet and Eternity

作　　者：董岩 常丽强 DONG Yan;CHANG Li-qiang(Public Foreign Language and Research Department,Heilongjiang University of Chinese Medicine,Harbin Heilongjiang 150001,China;Institute for Foreign Literature and Culture,Guangdong University of Foreign Studies,Guanzhou Guangdong 510420,China)

机构地区：[1]黑龙江中医药大学公共外语教研部,黑龙江哈尔滨150006 [2]广东外语外贸大学外国文学文化研究院,广东广州510420

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2023年第10期132-136,共5页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：2020年黑龙江省哲学社会科学一般项目(20ZWB002);2021年黑龙江省高等教育教学改革一般项目(SJGY20210809);2021年江苏省教育科学十四五规划重点项目(B/2021/01/08)。

摘　　要：在读图时代的当下,文学逐渐图像化的趋势愈发明显,诗歌艺术与电影艺术的跨界互动也日渐频繁。“互文性”理论为诗歌与电影的“共读”提供了有力的理论支撑。研究发现,《先知》中的诗歌与电影《永恒》在主题的铺陈凸显、情节的助推发展、人物的衬托刻画方面具有明显的互文性关联。纪伯伦的诗歌丰厚了电影的意蕴内涵、映现出影片的表达梯度、提升了电影的艺术价值,而电影语言又赋予诗歌更为灵动的展现方式与更加多样的传播渠道。In the era of image reading,the trend of gradual pictorialization of literature has become more and more obvious,and the cross-border interaction between poetry and film art has become more and more frequent.The theory of"intertextuality"provides theoretical support for the"co-reading"of poetry and film.It is found that the poems in The Prophet and the film Eternity have obvious intertextuality in the aspects of highlighting the theme,boosting the development of the plot and setting off the portrayal of the characters.Gibran's poetry enriches the connotation of the film,reflects the gradient of the film's expression,and enhances the artistic value of the film,while the language of the film gives the poetry a more dynamic way of presentation and more diverse channels of communication.

关 键 词：《先知》 《永恒》 互文性 

分 类 号：I106.4[文学—世界文学]