广播媒介与古琴音乐的传播(1924-1949)  

Broadcast Media and the Dissemination of Chin Music(1924-1949)

作　　者：刘畅 林媛 Liu Chang;Lin Yuan

机构地区：[1]哈尔滨音乐学院音乐学系,哈尔滨150028

出　　处：《北方音乐》2023年第4期115-126,共12页Journal of the Northern Music

基　　金：国家社科基金艺术学课题一般项目“中国广播音乐史(1923-1949)”(项目号:22BD067)阶段性成果。

摘　　要：五四新文化运动之后,古琴音乐因其自身的弱点以及文人的局限而衰微。直到20世纪20至40年代,广播成为播放古琴音乐并实现大范围传播的重要媒介。文章以古琴播音史料为基础,通过对广播媒介中的古琴音乐、古琴播奏背后的意识形态和琴人情怀,以及受众接受效果的分析,呈现古琴是如何通过广播媒介实现跨越地域和社会阶层的传播。After the May Fourth New Culture Movement,Chin music declined due to its own weak⁃nesses and the limitations of the literati.It was not until the 1920s to 1940s that radio became an important medium for broadcasting Chin music and realizing its wide dissemination.Based on the historical data of Chin Music broadcasting,the article presents how Chin was disseminated across regions and social strata through the medium of radio by analyzing the Chin music in the radio me⁃dium,the ideology and the feelings of the Chin players behind the music broadcasting,as well as the reception effect of the audience.

关 键 词：广播电台 古琴 传播 大众化 

分 类 号：J609.2[艺术—音乐]