明式家具与紫砂陶艺的装饰艺术对比  

Comparison of Decorative Art between Ming-style Furniture and Purple Clay Pottery Art

作　　者：殷钰涵 王华 YIN Yuhan;WANG Hua(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2023年第5期103-106,共4页Furniture

基　　金：国家艺术基金青年艺术创作人才资助项目(20163222);江苏省林业资源高效加工利用协同创新中心资助项目。

摘　　要：同属于中国工艺美术的明式家具与紫砂陶艺因相似的时代背景与地域文化使两者在装饰上始终带有微妙的联系。借鉴王世襄先生对明式家具装饰的总结及吴山先生对于紫砂工艺的详解,进一步深入对明式家具与紫砂陶艺在装饰艺术方面的研究,从线脚与装饰线、攒斗工艺与印纹技法、雕刻工艺比较3个方向透视明式家具与紫砂陶艺的融合与差异,分析两者在装饰手法及装饰部位上的异同。通过进一步对比它们在简练圆浑、厚拙凝重、文绮浓华等审美意境下的不同工艺表达,探究两者美学品味上的共通之处。一方面提倡新一代青年保护及传承非物质文化遗产,另一方面也为传统的工艺美术装饰技法提供借鉴思路,以期在传承中创新。Ming-style furniture and purple clay pottery art or Zisha art,both belonging to the category of Chinese arts and crafts,have a subtle connection in decoration because of their similar background and regional culture.By drawing the summary of Ming-style furniture decoration by Mr.Wang Shixiang and the detailed explanation of Zisha craft by Mr.Wu Shan,the decorative art of Ming-style furniture and Zisha art was further deepen researched.The integration and differences between Ming-style furniture and Zisha art were reflected in aspects of moldings and decorative line,latticework and printing technology,and the comparison of carving technology.The similarities and differences between them in decorative techniques and decorative parts were also analyzed.By comparing their different technical expressions under the aesthetic moods of concise and round,thick and dignified,gorgeous and resplendent,the commonalities of aesthetic tastes between them were explored:on one hand,it advocates the new generation of young people to protect and inherit intangible cultural heritage,and on the other hand,it also provides reference ideas for traditional arts and crafts decoration techniques with an aim to innovate in inheritance.

关 键 词：明式家具 紫砂陶艺 装饰艺术 美学研究 

分 类 号：TS664[轻工技术与工程]