民族图像的记忆与审美建构——以年画中女性形象为例  

Memory and Aesthetic Development of National Paintings:Taking Female Images in New Year Paintings as an Example

作　　者：袁宙飞[1] Yuan Zhoufei(the Fine Arts School,Shandong University)

机构地区：[1]山东大学艺术学院

出　　处：《美术》2023年第10期148-150,共3页Art Magazine

基　　金：国家社科重大项目《中国艺术民俗学的理论与实践研究》(项目编号:22ZD06)的阶段性研究成果;山东大学“青年学者未来计划”人才项目的阶段性研究成果。

摘　　要：年画是中国民间艺术的瑰宝,它承载着民族文化的记忆。年画中女性形象作为中国传统年文化表征的重要艺术形象,一直在正向引导着人们对传统文化、传统精神世界的传承,灌注着中华民族儿女对“真善美”的体认,彰显着年文化的艺术形式美,体现着中华民族的文化信仰,并以图像记忆的方式,勾连起中华民族历史文化记忆与审美的延续。New Year paintings are treasures of Chinese folk art that carry the memory of Chinese culture.As an important image that represents the culture of China's Lunar New Year,female images in New Year paintings have served as a guidance for people to carry forward traditional culture and spirits,shown the Chinese people's understanding of"truth,goodness and beauty",and highlighted the charm of Lunar New Year culture in the form of art.They have also demonstrated cultural beliefs of the Chinese nation,and helped pass down historical and cultural memory and aesthetics of the Chinese nation through images.

关 键 词：年画 民族图像 女性形象 审美建构 

分 类 号：J218.3[艺术—美术]