解放区诗歌的大众化、民族化实践及接受流变  

The Popularization and Nationalization of Poems in the Liberated Areas and Its Acceptance and Evolution

作　　者：刘祥玺 LIU Xiang-xi(School of literature,Beijing Language and Culture University,Beijing 100089,China)

机构地区：[1]北京语言大学文学院,北京100089

出　　处：《唐山师范学院学报》2023年第5期54-59,77,共7页Journal of Tangshan Normal University

摘　　要：解放区诗歌大众化、民族化的实践具有明显的听觉文化特征,在取得劳动人民的情感共鸣中完成知识分子的主体再造。通过解放区诗歌选本在当代的传播过程发现,这种大众化实践的果实在接受、流变中屡遭困境,照应了当代诗歌史中的重要节点,随着大众群体的变迁,特别是新时期以来,解放区诗学与主流诗学的冲突,解放区诗歌逐渐淡出人们的视野,最终在20世纪90年代私人写作语境中与大众形成了隔膜。The practice of popularization and nationalization of poems in the liberated areas has obvious auditory cultural characteristics,and the main body reconstruction of intellectuals is completed in the emotional resonance of working people.Through the spread of the selected poems in the liberated area in the contemporary era,it is found that the fruits of this popular practice have repeatedly encountered difficulties in acceptance and evolution,and have taken care of important nodes in the history of contemporary poetry.With the changes of mass groups,especially since the new era,the conflicts between the poetics in the liberated area and the mainstream poetics have gradually faded out of people’s vision,and finally formed a gap with the public in the context of private writing in the 1990s.

关 键 词：解放区诗歌 大众化 民族化 听觉 朗诵诗 街头诗 当代诗歌史 

分 类 号：I22[文学—中国文学]