内蒙古地区汉藏结合式召庙建筑群体布局特征研究  

STUDY ON THE ZHAOMIAO ARCHITECTURAL GROUP LAYOUT CHARACTERISTICS OF SINO-TIBETAN COMBINATION IN INNER MONGOLIA

作　　者：托亚[1] 尚大为[2] 韩瑛[1] Tuo Ya;Shang Dawei;Han Ying

机构地区：[1]内蒙古工业大学建筑学院 [2]内蒙古建筑职业技术学院建筑规划学院

出　　处：《当代建筑》2023年第9期106-110,共5页Contemporary Architecture

基　　金：国家自然基金面上项目(编号:51668049);内蒙古自治区自然科学基金青年基金项目(编号:2022QN05018);内蒙古自治区自然科学基金项目(编号:2021MS05057)。

摘　　要：召庙建筑群的空间布局寓涵佛教想传达于世人的空间观念,且随着汉藏文化的交融,融合了多民族的文化内涵。文章分析了5座具有代表性的召庙的院落布局,将空间构成用数的形式进行表达、分析。研究表明,汉传佛教寺院是“天人道”的具象表达,藏传佛教寺院是对同构且轮回的宇宙观的描述,汉藏结合式寺院布局融合了两种观念,对推动人类文明的演进具有重要意义。The spatial layout of Zhaomiao architectural group contains the space concept that Buddhism wants to convey to the world.With the integration of Sino-Tibetan culture,the cultural connotation of multi-ethnic groups is integrated.This paper analyzes the courtyard layout of five representative Zhaomiao coutryard and expresses the space composition in the form of numbers.Chinese Buddhist monasteries are a concrete expression of an idea about cosmic order which called the three upward states of existence Tibetan Buddhist temples have describe the cosmological view of isomorphism and reincarnation.The layout of Sino-Tibetan combination integrates two concepts,which is of great significance to promote the evolution of human civilization.

关 键 词：寺院布局 汉藏结合式 空间概念 院落式 曼陀罗式 

分 类 号：TU252[建筑科学—建筑设计及理论]