“中国式现代化与文艺学美学民族性、现代性”笔谈  

Notes on"Chinese Modernization and the Ethnicity and Modernity of Literary and Artistic Theory and Aesthetics"

作　　者：王建疆[1] 刘阳[2] 张兴成[3] 刘琴[4] 章文颖[5] 张震[6] 刘阳军 WANG Jianjiang;LIU Yang;ZHANG Xingcheng;LIU Qin;ZHANG Wenying;ZHANG Zhen;LIU Yangjun

机构地区：[1]上海师范大学美学与美育研究所 [2]华东师范大学中国语言文学系 [3]西南大学文学院 [4]杭州师范大学《美育学刊》 [5]上海戏剧学院导演系 [6]云南大学文学院 [7]贵州民族大学文学院

出　　处：《贵州民族大学学报（哲学社会科学版）》2023年第5期1-40,共40页Journal of Guizhou Minzu University:Philosophy and Social Science

基　　金：国家社会科学基金一般项目“别现代语境中的英雄空间解构与建构问题研究”(15BZW025)阶段性成果;国家社会科学基金一般项目“理论之后的写作机理与汉语因缘研究”(19FZWB021)阶段性成果;国家社会科学基金一般项目“石涛《画语录》与中国艺术精神的现代转型研究”(21BZW067)阶段性成果;教育部人文社会科学基金项目“艺术自律的解构:美学理论和艺术实践”(17YJC760051)阶段性成果;教育部人文社会科学研究青年基金项目“谢林美学对现代西方美学和艺术的意义及影响研究”(18YJCZH256);上海戏剧学院“华山英才支持计划”(HS202309)阶段性成果;贵州省2019年度哲学社会科学规划课题“马克思与法兰克福学派美育思想的关系研究”(19GZQN09)阶段性成果。

摘　　要：中国式现代化是一场正在深刻改变并将持续改变中国和世界的伟大历史实践,不仅关乎中华民族传统文明之延续与中华民族现代文明之缔造,也关乎中外文明的交流互鉴与人类文明新形态的创造,从而催生和形塑出具有中国和世界双重意义的文化使命。在如此这般情势下,不仅中国文艺和美学现象不断获得开拓和更新,而且文艺学美学也被重构和重塑,甚至相较传统文艺学美学而言毋宁说是一场革命——民族性革命和现代性革命。由此,“中国式现代化与文艺学美学民族性、现代性”作为时代主题和时代任务,就被历史地揭示并凸显出来——譬如,中国式现代化为中国文艺学美学奠定了什么样的历史根基,赋予了什么样的历史使命,中国文艺学美学又是如何在中国式现代化历史语境中施行现代转换和现代建构的,如此等等。探索这一主题,关乎中国文艺学美学之现代知识体系、话语体系建构和完善,也关乎马克思主义中国化之文艺学美学事业以及中国文艺学美学走向、参与和融入世界美学体系之事业等。围绕“中国式现代化与文艺学美学民族性、现代性”这一主题展开讨论,旨在突出中国式现代化赋予了文艺学美学以民族性和现代性之双重使命,以及带给它的深层挑战和革新等。王建疆教授围绕其所原创的建基于中国现代语境之上的别现代主义审美学展开论述,既总括了别现代主义审美学的来龙去脉,也深刻揭示了其与中国现代状况之基础性历史关联。刘阳教授以述学文体和论笔体为个案,论述了文论的民族性与现代性之异质性和创造性转化关联,并提出“民族文论的现代化”乃是一个始终不断获得异质和起点的命题。张兴成教授基于文明互鉴和融合视域而探讨现代性语境中中国文学思维和文化主体性价值问题,突出中国文学之文明意义以及文学之道与�Chinese modernization is a great history-making practice that is deeply changing and will sustainably change China and the world,concerning the continuation of traditional Chinese civilization and the founding of modern Chinese civilization as well as the exchange and mutual learning between China and other countries and the creation of new formation of human civilization,thus giving birth to and shaping the cultural mission of dual meaning of China and the world.Under such circumstances the Chinese literature and art and aesthetics are being further explored and renewed,and their theory are being reconstructed and reshaped,which can be termed as a revolution as over traditional literary theory and aesthetics,displayed by its ethnicity and modernity.As such,"Chinese modernization and the ethnicity and modernity of literary and artistic theory and aesthetics",serving as a contemporary theme and task,are displayed and highlighted in a history-making sense.For instance,curiosities may exist as to what historic foundation Chinese modernization lays for Chinese literary and artistic theory and aesthetics,what historic mission it endows them with,and how they can be transformed and constructed in a modern way.The exploration of this them is much related to the construction and improvement of the modern knowledge system and discourse system for Chinese literary and artistic theory and aesthetics,the cause of literary and artistic theory under the conditions of Marxist sinicization,and the ways Chinese literary and artistic theory and aesthetics approach,participate in and integrate themselves into the global aesthetic system.The discussions centering on"Chinese modernization and the ethnicity and modernity of literary and artistic theory and aesthetics"aim at highlighting the dual mission of ethnicity and modernity endowed by Chinese modernization to literary and artistic theory and aesthetics as well as the relevant deep-level challenge and renew.Professor Wang Jianjiang,an aesthetician,conducts discussions over the"Bi

关 键 词：中国式现代化 文艺学 美学 民族性 现代性 

分 类 号：I0[文学—文学理论]