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机构地区:[1]广东技术师范大学文学与传媒学院,广东广州510665
出 处:《贵州民族大学学报(哲学社会科学版)》2023年第5期147-161,共15页Journal of Guizhou Minzu University:Philosophy and Social Science
基 金:2020年国家社会科学基金艺术学重大招标项目“多民族艺术交融与中华民族认同研究”(20ZD27)阶段性成果。
摘 要:在网络传播情境下,当代民族志诗学涵盖了少数民族作家生产并以诗歌、歌谣、民歌等形式介入新媒体网络传播的少数民族文学文艺作品,其发展和传播特性可以归纳为声音、表演与民俗的“再发现”。民族志诗学在网络传播的过程中向多空间和多向度延伸并不断发展流变,媒介网络技术的迅速发展为当代民族志诗学的传播提供了具体路径。尽管民族志诗学在传播进程中面临一定的困境和挑战,但在文化生产创造、创新过程中实现了少数民族传统文化的传承与传播。Under the circumstances of internet communication contemporary ethnography poetics covers minority writers'production and involves itself in minority people's literary works displayed in online new media by means of poetry,ballads and folk songs,whose development and communication features can be summarized as the"re-discovery"of sound,performance and folklore.The ethnography poetics develops extending through multi-spaces and multi-dimensions while media online technology fast developing serves as concrete paths for the transmission of contemporary ethnography poetics.Although ethnography poetics faces some difficulties and challenges in the process of communication,it succeeds in inheriting and transmitting traditional minority people's culture in the process of cultural production creation and innovation.
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