从文征明的茶画中看明代中期江南文人茶壶的审美观念  

Aesthetic Philosophy on the Teapot of "Jiangnan" literati in the Mid-Ming Dynasty Reflected by Wen Zhengming's Tea-themed Paintings

作　　者：董国娟 荆琦 DONG Guojuan;JING Qi(School of Fine Arts and Design,Chuzhou University,Chuzhou 239000,China)

机构地区：[1]滁州学院美术与设计学院,安徽滁州239000

出　　处：《景德镇学院学报》2023年第5期88-93,共6页Journal of JingDeZhen University

基　　金：安徽省人文社科研究重点项目(SK2021A0680);安徽省人文社科研究一般项目(SK2020B10);滁州学院校级科研项目(2022XJYB26)。

摘　　要：文征明是明代中期江南地区著名文人、画家、书法家,是此时期文人雅士的代表之一,他一生爱茶且留有大量描绘饮茶场景的绘画。画为心声,通过研究文征明画中茶壶形态、材质及其美学观念背后的文化思想,得出明中期文人茶壶呈现出清雅、素雅、简雅、典雅的造物审美观。Wen Zhengming is a famous man of letters,and also a painter and calligrapher to the south of the Yangtze River in the middle period of the Ming Dynasty.As a typical representative of the literati of that time,he loved drinking tea all his life and left us a large number of paintings depicting scenes of tea drinking.Since paintings were considered the inner voice of the painter in ancient times,we can figure out the aesthetic philosophy,which stressed simpleness and elegance,presented by the teapot paintings by the literati in the mid-Ming Dynasty through studying the cultural thoughts behind the shapes and materials of the teapots in Wen's paintings and the aesthetic views transmitted by his paintings.

关 键 词：文征明绘画 明代中期 文人茶壶 审美 

分 类 号：J527[艺术—艺术设计] J212[历史地理—历史学] K248[历史地理—中国史]