分离派黄金艺术中物质欲望的象征语义  

The Symbolic Semantics of Material Desire in Separatist Golden Art

作　　者：杨巧禾 Yang Qiaohe(Academy of Arts&Design,Tsinghua University,Beijing 100084,China)

机构地区：[1]清华大学美术学院,北京100084

出　　处：《艺术与设计（理论版）》2023年第9期117-119,共3页Art and Design

摘　　要：分离派提出“总体艺术”理念,试图将绘画、工艺及建筑等不同学科艺术整合为同一个系统,而这场多样领域探索中呈现出共性的艺术表征之一,即黄金的艺术形式,在其中扮演了太多身份。文章通过从物质性视角解析分离派“黄金”形式的象征语义,以此来探究隐藏在时代语境背后的艺术实践性与美学观念,并扩展“黄金”超越物质属性的价值意义。The Separatists proposed the idea of"Total art",trying to integrate the different disciplines of painting,craft and architecture into one system.The art form of gold,which is one of the common artistic symbols in this exploration of various fields,plays too many identities in it.By analyzing the symbolic meaning of the"Gold"form of the Separatists from the perspective of materiality,the essay explores the artistic practice and aesthetic concept hidden behind the context of the times,and expands the value meaning of"Gold"beyond material properties.

关 键 词：传统工艺 黄金艺术 分离派 语义 

分 类 号：J05[艺术—艺术理论]