黑川雅之八大审美意识的重构及指导意义——以城市家具设计为例  

The Reconstruction and Guiding Significance of the Eight Aesthetic Consciousnesses of Masayuki Kurokawa,Take Urban Furniture Design as an Example

作　　者：熊亚玲 张为民[1] Xiong Yaling;Zhang Weimin(Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学,重庆401331

出　　处：《艺术与设计（理论版）》2023年第10期84-87,共4页Art and Design

摘　　要：城市家具作为城市公共空间环境中重要的中间介质,是探索与构建中国现代意义的本土设计理论体系的研究对象之一。文章通过对黑川雅之《日本的八大审美意识》的解读与重构,结合中国传统美学的观察与比较,基于系统性设计思维,分别从设计主体、设计客体、设计元素、设计理念四个方面提出了城市家具设计的新理念。The eight aesthetic consciousnesses proposed in Japan's Eight Aesthetic Consciousnesses,known as the design bible,integrate Eastern and Western aesthetic concepts to form an elegant artistic style,which is a systematic summary of Japanese design by Masayuki Kurokawa.Through the in-depth analysis of the eight aesthetic consciousness of Kurokawa Masayuki,the eight aesthetic consciousness of Kurokawa Masayuki is reconstructed from four aspects:design subject,design object,design composition and design concept,so as to have guiding significance for urban furniture design.Let urban furniture design maintain the principle of eclecticism and diversified coexistence in the era of multi-dimensional cultural coexistence,so that design can have a better future.

关 键 词：黑川雅之 城市家具 地域文化 重构 

分 类 号：TS664[轻工技术与工程]