从当代艺术到电影:触感及其理论的合法性问题  

The Legitimacy of Haptics and Haptic Theories:From Contemporary Art to Film Studies

作　　者：赵斌[1] 张玮 ZHAO Bin;ZHANG Wei(China Film Culture Institure,Beijing Film Academy,Beijing 100088,China;School of Arts,Nanjing University,Nanjing,210033,China)

机构地区：[1]北京电影学院中国电影文化研究院,北京100088 [2]南京大学艺术学院,南京210033

出　　处：《上海大学学报（社会科学版）》2023年第6期37-50,共14页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金一般项目(20BXW032)。

摘　　要：对艺术中触觉问题的研究具有源远流长的传统。在视觉文化批判性理论中,触感理论成为新晋的、具有普遍影响力的新知识。一方面,它倡导当代艺术特别是跨媒介艺术要充分利用视觉之外的触觉,完善多维度的审美与意义构建,相关研究受到了现象学的广泛支持。另一方面,在电影这种较为特殊的视觉艺术中,触感研究不再致力于审美与意义构建,而是试图建立一种以触觉为导向的电影本体论。受惠于现象学理论,电影触感理论借助电影身体、电影皮肤、触感视觉等概念,试图颠倒并发展出完全不同于主体/语言理论的新本体论,这种尝试与整体性的反理性/反形而上学潮流密切相关,对推进视觉批判具有一定的认识论价值。但这一理论中的谬误、媒介分析的缺陷及阐释力的局限,使得其难以肩负电影本体论重构的任务。艺术中并不存在普遍而一致的触感现象,触感理论也难以跨越艺术门类和媒介,难以发展为具备理论同一性的艺术本体论。The study of haptics in art has a long tradition.Among the critical theories of visual culture,haptic theory has grown into an emerging and generally influential new knowledge.On the one hand,it advocates that contemporary art,especially cross-media art,should make full use of the sense of touch other than the sense of vision to improve multidimensional aesthetic and meaning construction.As a result,relevant researches have been widely supported by phenomenological theories.On the other hand,in more special forms of visual art such as cinema,haptic research is no longer confined to aesthetic and meaning construction.Rather,it attempts to establish an ontology of film oriented to the sense of touch rather than vision.Benefiting from phenomenological theories,haptic theory tries to develop a new ontology completely different from subject/language theories by resorting to such concepts as“film body,”“film skin,”and“haptic vision”.This attempt,hardly separated from the overall trend of anti-rationalism and anti-metaphysics,has a certain epistemological value in advancing the critique visual culture,but the fallacies,the defects of media analysis,and the limitations of interpretation in the theory make it difficult to undertake the task of reconstructing film ontology.There is no universal and consistent haptic phenomenon in art,so it is difficult for haptic theory to cross the boundaries between art categories and media,not to mention becoming an ontology of art with theoretical homogeneity.

关 键 词：触感 触觉 电影本体论 跨媒介艺术 当代艺术 

分 类 号：DF523.1[政治法律—民商法学]