宋代审美意识下的室内设计溯源  

The Aesthetics of the Song Dynasty Reflected in the Song Dynasty Space Creation Art

作　　者：杨帆 吕九芳 YANG Fan;LYU Jiufang(College of Furnishings and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家居与工业设计学院,南京210037

出　　处：《家具》2023年第4期94-98,共5页Furniture

基　　金：教育部人文社会科学研究基金项目“东风西渐视域下的中国古典家具海外传播与文化认同研究”(21YJC760017)。

摘　　要：为了更好地将宋代的室内美学应用到现代设计中,探究宋代审美风尚形成的社会文化背景和其对室内设计的影响非常重要。通过文献研究和图像考证的方法,总结了宋代美学观念形成的文化因素,并对宋代文人书画作品中涉及的建筑形制、空间布局以及室内器物陈设展开了研究,并建立了文化塑造审美以及审美影响设计的联系。最终得出宋代建筑布局、建筑装饰、室内界面组织、室内家具和陈设器物都受到宋代审美的影响,呈现出在布局上打破严格对称、在装饰上趋于简约、在风格上雅俗共赏、在结构上更加理性实用的结论。为进一步研究宋代生活美学与室内美学提供理论支持。In order to better apply the home aesthetics of the Song dynasty to modern design,it is very important to explore the social and cultural background of the aesthetic style of the Song dynasty and its influence on home design.Based on the research of the architectural shape,space layout and indoor utensils and furnishings involved in the calligraphy and painting works of the literati in the Song dynasty,the cultural factors that formed the aesthetic concept of the Song dynasty were summarized through the methods of literature review and image research.The relationship among culture,aesthetics and design was established.It is concluded that the architectural layout,architectural decoration,interior interface organization,interior furniture and furnishings of the Song dynasty were all influenced by the aesthetics of the Song dynasty,which can be expressed as the non-stringent symmetric layout,simplicity-oriented decoration,elegant and popular style,and rational and practical structure.The research will provide theoretical support for further study of life aesthetics and home aesthetics in Song dynasty.

关 键 词：宋代审美 室内布局 家居陈设 

分 类 号：TS664[轻工技术与工程]