论新时期审美范式文学理论的生成及其公共性  

On the Generation and Publicity of Literary Theory of Aesthetic Paradigm in the New Era

作　　者：肖明华[1] XIAO Ming-hua(Research Center of Contemporary Morphology Literary Theory,Jiangxi Normal University,Nanchang Jiangxi 330022,China)

机构地区：[1]江西师范大学当代形态文艺学研究中心,江西南昌330022

出　　处：《内蒙古社会科学》2023年第5期153-161,共9页Inner Mongolia Social Sciences

基　　金：教育部人文社会科学重点研究基地重大项目“中国当代文论场域中的审美话语分析研究”(编号:22JJD750015);国家社科基金项目“当代文学理论的公共性问题研究”(编号:15BZW009)。

摘　　要：新时期审美范式文学理论在当代文学理论史上具有重要意义,也对当代文学理论的知识生产产生了深远影响。审美范式文学理论是在特定时期文艺政策、理论资源、学术事件等多方因素的作用下逐渐生成的。在文学理论范式转型与知识合法性重建的进程尚未完成之时,从公共性的角度对它进行分析和反思是有必要的。文学观念趋于多元、“有学术”的文学理论论争、有文化抵抗意味的文论话语生产等公共性特征是值得赓续的审美范式文论传统,但审美范式文学理论对审美作“意识哲学”的理解以及它可能存在的本质主义知识观则需要反思、调整和通变。The literary theory of aesthetic paradigm in the new era is of great significance in the history of contemporary literary theory,and it also has a far-reaching impact on the knowledge production of contemporary literary theory.The literary theory of aesthetic paradigm is formed gradually by many factors such as literature and art policy,theory resources,academic events and so on.While the transformation of literary theory paradigm and the reconstruction of knowledge legitimacy have not been completed,it is necessary to analyze and reflect it from the perspective of publicity.Such public features as pluralistic literary ideas,academic literary theory debates,and literary discourse production with the implication of cultural resistance are worthy of continuing the tradition of aesthetic paradigm literary theory,but its understanding of aesthetic philosophy of consciousness and its possible view of essentialism knowledge need to be rethought,adjusted and adapted.

关 键 词：新时期 审美范式文学理论 生成 公共性 

分 类 号：I0[文学—文学理论]