普希金与中国左翼文学  

Pushkin and Chinese Left-Wing Literature

作　　者：常金秋 Chang Jinqiu

机构地区：[1]贵州财经大学文学院,贵州贵阳550025

出　　处：《外语与外语教学》2023年第4期139-145,F0003,共8页Foreign Languages and Their Teaching

基　　金：天津市哲学社会科学规划项目“中国现代诗歌与普希金关联元素研究”(项目编号:TJZW17-003)的阶段性研究成果。

摘　　要：20世纪30年代,苏联文艺界在普希金逝世百年的纪念活动中,对普希金进行的再解读,确立了普希金在当时苏联社会中的形象与位置。普希金及其文学作品进一步被经典化,承载了新的文化记忆。这一热潮传导到中国后,在左翼文学界对普希金的译介与评论中显现出的群体性认同,以及在“普希金形象叙事”诗歌实践中显现出的主题同一性,体现出普希金在中国的接受从文学文本转到文化文本的特质。左翼以普希金为媒介寄托文学理想、历史道德,引导阅读者加入到“文学共同体”的建设中。其中,普希金有关“人民性”的论述被有机地结合到当时的革命文学建构里,也成为后来社会主义新中国文学的重要内容。In the 1930s,the Soviet literature and art circles reinterpreted Pushkin in commemoration of the centenary of Pushkin's death,which established Pushkin's image and position in contemporary Soviet society.Pushkin and his literary works were further canonized,carrying new cultural memories.After this upsurge was transmitted to China,the group identity reflected in the translation,introduction,and comments of Pushkin by the left-wing literary circles,as well as the theme identity shown in the poetry practice of“Pushkin's image narrative”,reflected the characteristics of Pushkin's acceptance in China from literary text to cultural text.The left-wing literature circle uses Pushkin as a medium to convey literary ideals and historical morality,and guide readers to join the construction of a“literary community”.Among them,Pushkin's discourse and expressions of affinity to the people were organically integrated into the construction of revolutionary literature at that time,and later became an important part of socialist new Chinese literature.

关 键 词：普希金 中国左翼文学 人民性 

分 类 号：I06[文学—文学理论]