“空”与“实”的场域 评Hoeler+Yoon建筑事务所的月门之桥  

Fields of the Void and the Solid Interpreting Howeler+Yoon's Moongate Bridge

作　　者：闫超[1] YAN Chao

机构地区：[1]同济大学建筑与城市规划学院高密度人居环境生态与节能教育部重点实验室

出　　处：《时代建筑》2023年第4期98-103,共6页Time + Architecture

摘　　要：月门之桥有别于常规步行桥的线性空间,在平面上呈现出多向度的场域特征。文章以“空”和“实”这一对经典的建筑学概念作为切入点对其进行解析。月门之桥以园林的“月门”作为参照物,构建了多重维度的空间与实体关系。同时,借由对“空”和“实”的感知,以及“空”和“实”在建构语义层面的表达,在身体维度上营造出一种动态的人境交互体验。最终,月门之桥以最为基本的物为载体,实现了建筑从有形物体向无形媒介的转化,架构着行为与情动,并塑造着公共与日常。The Moongate Bridge differs from the linear features of conventional pedestrian bridges,presenting a field condition with multiple orientations in spatial organization.This article examines the bridge by using classic architectural concepts of"void"and"solid."Referencing the moon gate in traditional Chinese gardens,the bridge constructs a multifaceted relationship between the void and the solid form.Through the perception as well as the tectonic expression of"void"and"solid,"it fosters a dynamic human-environment interaction in the embodied experience.Ultimately,the bridge transcends its tangible form,completing a transformation from a physical object to an intangible medium,framing behaviors and affects,and shaping publicness and daily lives.

关 键 词：步行桥 空与实 场域 布尔几何 

分 类 号：TU-86[艺术—艺术设计] TU-251[建筑科学—建筑设计及理论] U448.11[建筑科学—桥梁与隧道工程]