帕慕克《瘟疫之夜》中的地图叙事及其观看之道  

Map Narrative and Ways of Viewing in Pamuk's Nights of Plague

作　　者：朱春发[1] Zhu Chunfa(the School of International Communication, Communication University of Zhejiang)

机构地区：[1]浙江传媒学院国际文化传播学院

出　　处：《外国文学研究》2023年第5期97-108,共12页Foreign Literature Studies

基　　金：教育部人文社会科学研究项目“共同体视域下古尔纳小说中的难民书写研究”(22YJA752028)。

摘　　要：帕慕克的新书《瘟疫之夜》呈现了三类地图:明格尔省阿尔卡兹城的地理图;事关瘟疫的流行病学地图;奥斯曼帝国和明格尔民族国家的疆域图。通过不同角度和层面的观看,可以发现这三类地图行使着多种功能。以手绘图像和叙事绘图方式呈现的城市地理图构建了一个虚实交融的故事地理世界,作为视觉象征符号的流行病学地图、帝国疆域图和民族国家地图,则是在叙述故事、展现特定的历史。地图的使用展现了帕慕克“视觉叙事”的文学创作理念,结合帕慕克本人“视觉作家”的自我定位,本文认为,帕慕克的文学作品可以从观看的视角展开解读。Pamuk's latest novel,Nights of Plague,presents three types of maps:a geographic map of Arkaz,the capital city of Mingheria province;a map of plague-related epidemiology;a territorial map of the Ottoman Empire and the Mingheria Island.Viewing from different perspectives and dimensions,we can find that the three maps have multiple functions.The geographical city map,produced through drawing and map narrative,constructs a story world with a fusion of fiction and reality.As visual and symbolic signs,the maps of epidemiology,empire's territory,and national geography are intended to tell stories and represent specific histories.The use of maps showcases Pamuk's “visual narrative,” his unique concept of literary writing.Given Pamuk's self-identification as “a visual writer,” this article argues that Pamuk's works could be better interpreted from the perspective of viewing.

关 键 词：奥尔罕·帕慕克 《瘟疫之夜》 地图 视觉叙事 观看 

分 类 号：I374.074[文学—其他各国文学]