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作 者:柴建才[1] CHAI Jian-cai(Department of Chinese,Yuncheng Institute,Yuncheng,Shanxi,044000)
出 处:《新疆大学学报(哲学社会科学版)》2023年第6期109-115,共7页Journal of Xinjiang University(Philosophy and Social Sciences)
摘 要:毛泽东是40年代延安戏剧改革运动的倡导者,他以新民主主义文化观来指导延安时期的秦腔、平剧及秧歌剧改革为现实政治服务。毛泽东在延安时期倡导的戏剧改革运动不仅正确处理了解放区文艺发展中普及与提高的关系,而且有效解决了文艺为工农兵服务的根本问题,为新民主主义文化建设进行了成功的探索实践,为未来新中国戏剧现代戏的改革提供了宝贵的经验与教训。Mao Zedong advocate the Yan'an Drama Reform Movement in the 1940s.He guided the Reform inQin and Ping dramas and Yangko dances with the new democratic cultural view to reachthe aims of political reality.The Reform advocated by Mao Zedong in the period correctlytreated the art popularization and enhancementof literature‐developmentin the liberated areas,and also effectively solved the basic issue of literature and art serving the workers,peasants and soldiers,which is a successful exploration practice in the new democratic cultural construction,and provides valuable experiences for the future of modern Chinese drama reform.
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