海派家具艺术运动中设计理念的转变  

Changes in Design Concepts in the Shanghai-style Furniture Art Movement

作　　者：邹伟华[1] 张玉姣 宋玲 ZOU Weihua;ZHANG Yujiao;SONG Ling(School of Furniture and Art Design,Central South University of Forestry and Technology,Changsha,Hunan,410004)

机构地区：[1]中南林业科技大学家具与艺术设计学院,湖南长沙410004

出　　处：《湖南包装》2023年第5期20-22,共3页

基　　金：湖南省哲学社会科学规划基金项目(18YBA457)。

摘　　要：海派家具是近现代中国家具史的缩影,起源于上海并影响了整个中国。在海派家具艺术运动中,由于中国主流审美逐渐大众化、西方文化对传统生存状态造成冲击、工业化技术和材料日渐发展等原因,其设计理念的转变主要包括以下3个方面:从礼教化到世俗化的功能设计转变,表现为更加注重家具的舒适性、现代生活方式和大众审美情趣;从保守到开放的形态设计转变,逐渐注重风格多样化、线条热情奔放,更加关注女性需求;从传统工艺向现代制造工艺转变,具有注重机械化制造、大量运用人造板和板木结构的特征。海派家具艺术运动不但促进了中国现代家具的发展,也为当今“一带一路”背景下中国现代家具融入世界奠定了理论与实践基础。Shanghai-style furniture is the epitome of the history of modern Chinese furniture.It originated in Shanghai and influenced the entire China.In the Shanghai-style furniture art movement,due to the gradual popularization of China's mainstream aesthetics,the impact of Western culture on traditional living conditions,and the increasing development of industrial technology and materials,the transformation of its design concept mainly includes the following three aspects:from etiquette to secularization The change in functional design is manifested in paying more attention to the comfort of furniture,modern lifestyle and public aesthetic taste;the change in form design from conservative to open,gradually focusing on diversified styles,passionate and unrestrained lines,and paying more attention to women's needs;from traditional craftsmanship to The transformation of modern manufacturing processes has the characteristics of focusing on mechanized manufacturing and extensive use of artificial boards and board structures.The Shanghai-style furniture art movement not only promoted the development of modern Chinese furniture,but also laid a theoretical and practical foundation for the integration of Chinese modern furniture into the world under the current"One Belt,One Road"background.

关 键 词：海派家具 艺术运动 设计理念 礼教化 世俗化 

分 类 号：TS664.01[轻工技术与工程]