明式家具中 “形与神” 的现代表达  

The Modern Expression of "Form and Spirit" in Ming Style Furniture

作　　者：许彦 黎庆[1] XU Yan;LI Qing(School of Art and Design,Nanchang Hangkong University,Nanchang,Jiangxi,330000)

机构地区：[1]南昌航空大学艺术设计学院,江西南昌330000

出　　处：《湖南包装》2023年第5期40-43,共4页

摘　　要：形、神是中国美学的重要范畴,是众多文艺作品评判的基础,传统的明式家具制作精巧,折射着文人的价值观、审美观。将明式家具纳入中国古典的美学语境中分析,从形神角度来赏析明式家具,分为明式家具的外在形态和内在气韵,从家具的客体之形到家具内在的文人气质,可以看出明式家具是“形神兼备”不可多得的世界优秀文化遗产。文章力图挖掘明式家具的造物手法及精神内核,结合现代优秀中式家具设计案例分析设计手法,阐述现代家具设计中“形与神”的现代表达。Form and spirit are important categories of Chinese aesthetics and the basis for evaluating numerous literary and artistic works.Traditional Ming style furniture is exquisitely crafted,reflecting the values and aesthetic views of literati.The article analyzes Ming style furniture in the context of classical Chinese aesthetics,and appreciates it from the perspective of form and spirit.It can be divided into the external form and internal charm of Ming style furniture.From the object form of furniture to the literati temperament inside the furniture,it can be seen that Ming style furniture is a rare world excellent cultural heritage that combines form and spirit.We strive to explore the creative techniques and spiritual essence of Ming style furniture,and analyze the design techniques based on excellent modern Chinese furniture design cases,elaborating on the modern expression of"form and spirit"in modern furniture design.

关 键 词：明式家具 形 神 现代表达 

分 类 号：TS666.2[轻工技术与工程]