盛唐诗歌中的胡儿形象  

Non-Han Male Image in the Poetry of Tang Dynasty

作　　者：龙正华 LONG Zheng-hua(School of Literature and Media,Tongren University,Tongren 554300)

机构地区：[1]铜仁学院文学与传媒学院,贵州铜仁554300

出　　处：《阴山学刊》2023年第5期22-29,共8页Yinshan Academic Journal

摘　　要：胡儿形象作为一种特殊的艺术形象,在盛唐诗歌中形成了秉性差异极大的三种类别:其一,热切的颂美之情及强烈的自信心使诗人常将胡儿作为诗歌主要人物的反面对比对象,导致胡儿产生了巨大的形变,形成怯懦孱弱类胡儿形象;其二,诗人的胡儿认识越加理性及客观实际的变化,令其感受到胡儿的勇猛,乃至颠覆其胡儿观念,塑造出强悍勇猛类胡儿形象;其三,诗人在创作诗歌时有意无意地将其任侠精神投射到胡儿身上,形成了矫健洒脱类胡儿形象。这些胡儿形象丰富了诗歌的艺术形象,提升了诗歌的情感强度,深化了诗歌的表现题材等,具有重要的文学意义。As a special artistic image,the Non-Han male image has formed three categories with great differences in temperament in the poems of Tang Dynasty.First,the ardent praise of beauty and strong self-confidence make poets often take Non-Han male as a negative contrast object of the main characters in their poems,resulting in a huge deformation of Non-Han male in their poems,forming a timid and weak image of Non-Han male;Second,the poet’s cognition of Non-Han male becomes more rational and objective and practical,which makes him feel the ferocity of Non-Han male and even subvert his concept of Non-Han male,thus shaping the image of fierce and rampant Non-Han male;Third,the poet intentionally or unintentionally projects his chivalrous spirit onto Non-Han male and shapes a vigorous and free image of Non-Han male.These Non-Han male images enrich the artistic image of poetry,enhance the emotional intensity of poetry,deepen the theme of poetry,and have important literary significance.

关 键 词：盛唐诗歌 胡儿形象 形成原因 文学意义 

分 类 号：I207.22[文学—中国文学]