流光传世:唐代螺钿工艺品研究  

Streamlight passed down from generation to generation:a research on mother-of-pearl inlay handicrafts in Tang Dynasty

作　　者：丁雅钰 曾慧[1] DING Ya-yu;ZENG Hui

机构地区：[1]大连工业大学服装学院,辽宁大连116000

出　　处：《中国生漆》2023年第3期5-9,共5页Journal of Chinese Lacquer

基　　金：国家社科基金艺术学项目(21BG127)。

摘　　要：螺钿,作为中国传统镶嵌工艺的一种,具有较高的民族文化、设计艺术、历史与文化交融的研究价值。本文通过实际文献、考古图像、出土实物等资料,梳理“螺钿”的最初的功能性极其起源,运用图像学方法对唐代螺钿工艺品进行分析研究,并结合正仓院馆藏,研究唐代螺钿工艺品所体现的中日文化交融,有益于丰富、补充中国螺钿发展史的积极作用。As being a kind of traditional Chinese mosaic technique,mother-of-pearl inlay has a high research value on national culture,design art,history and culture.Based on actual documents,archaeological images,unearthed objects and other materials,this paper sorts out the original function and origin of mother-of-pearl inlay,and analyzes mother-of-pearl inlay handicrafts in Tang Dynasty by using iconography method.It also studies treasures in Japanese Shosoin to know how this mother-of-pearl inlay technique reflected cultural communication between China and Japan and helps positively to enrich and complement the development history of this traditional technique.

关 键 词：唐代 螺钿 传统工艺 文化交融 

分 类 号：K242[历史地理—历史学] K871.43[历史地理—中国史] TS93[轻工技术与工程]