新旧美术批评的分野:第一次文代会“艺术展览会”  

Differentiating Old and New Art Criticism:The"Art Exhibition"at the First Congress of Writers and Artists

作　　者：丁澜翔 Ding Lanxiang

机构地区：[1]关山月美术馆,广东深圳518026

出　　处：《艺术探索》2023年第5期6-12,共7页Arts Exploration

摘　　要：从美术批评史的角度来看,第一次文代会及其美展的批评实践标志着一种新的批评标准、批评方法与批评体系的确立。新旧美术批评的分野是通过批评家们在第一次文代会美展前后持续的批评实践形成的。从批评家对第一次文代会美展参展作品评选标准的讨论到钟惦棐对朱金楼的批判,新美术批评的形态逐渐清晰。From the perspective of the history of art criticism,the First Congress of Writers and Artists and its attached art exhibition marked the establishment of a new standard,methods,and system of criticism.A division between old and new art criticism was formed due to critics'upholding diverse critical approaches before and after the First Congress of Writers and Artists and its attached art exhibition.From discussions on the selection criteria of exhibited works in the First Congress'art exhibition to Zhong Dianfei's criticism of Zhu Jinlou,new art criticism gradually came into its own.

关 键 词：第一次文代会 第一次文代会“艺术展览会” 评选标准 新批评 

分 类 号：J124[艺术—艺术理论]