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作 者:赵敏 Zhao Min
机构地区:[1]福建师范大学传播学院
出 处:《艺术传播研究》2023年第3期24-33,共10页Journal of Art Communication
摘 要:传统文学经典正在进入虚拟现实这一新兴媒介艺术的实验阵地,并呈现为一种新的表征形态即知识体验,从而区别于图像媒介时代的跨媒介改编或者跨媒体叙事重构。这一新的现象应获得全新的命名以确立对其研究的“合法性”。在此,“再媒介化”以其内涵的适恰性、当下性与延展性,成为一个更加合适的名称。虚拟技术再媒介化作为文学经典传播的新生形态,有别于文学经典原初的叙事诗学,开启了一种全新的诗学空间,即体验诗学,并生成了新式的公共知识空间,提供了阅读与体验文学经典的别样方式,并能悄然引发新一轮的媒介艺术变革。Traditional literary classics are entering the experimental field of virtual reality,an emerging medium of art,which is different from the cross-media adaptation or cross-media narrative reconstruction in the image media era.It presents a new form of representation,namely knowledge experience.Only by obtaining a new name can this new phenomenon have the legitimacy to be studied.The term“remediation”is a suitable name due to its appropriateness,immediacy,and extensibility of connotation.As a new form of literary classic dissemination,virtual technology remediation has opened up a new poetic space,namely experiential poetics,which is different from the original narrative poetics of literary classics.It has generated a new public knowledge space,provided different ways of reading and experiencing literary classics,and quietly triggered a new round of media arttransformation.
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