敦煌莫高窟唐代壁画中的勾阑形制与装饰  

The Form and Decoration of Balustrade in Tang-Dynasty Murals of the Mogao Grottoes in Dunhuang

作　　者：姚健[1] 于绮格 Yao Jian;Yu Qige(School of Design and Arts,Beijing Institute of Technology)

机构地区：[1]北京理工大学设计与艺术学院

出　　处：《美术》2023年第11期96-105,共10页Art Magazine

摘　　要：敦煌莫高窟唐代壁画呈现了大量的建筑图像,这些图像既描绘了理想中的佛国世界,又是现实生活中的建筑写照。其中包括现存遗构极少的唐代木勾阑形象。勾阑作为一种传统的建筑构件,具有围合与分隔空间、丰富空间层次、构筑礼仪空间秩序等作用。本文通过田野调查与数据归纳分析,解析敦煌莫高窟唐代壁画中勾阑的形制与装饰,并探讨唐代木勾阑的艺术特征与文化内涵。In the Tang-Dynasty murals of the Mogao Grottoes in Dunhuang appeared a large number of architectural paintings,which depict not only buildings in the real world but also an ideal Buddhist world.Among such paintings,many demonstrate wooden balustrade of the Tang Dynasty,few of which survived.These balustrade,as a kind of traditional building,can separate and enrich spaces and establish an etiquette order.Through field research and data analysis,this paper analyzes the form and decoration of balustrade in Tang-Dynasty murals of the Mogao Grottoes in Dunhuang,and explores artistic characteristics and cultural role of wooden balustrade in the Tang Dynasty.

关 键 词：敦煌莫高窟 唐代壁画 建筑图像 勾阑 

分 类 号：K879.41[历史地理—考古学及博物馆学] K242[历史地理—历史学] TU238[建筑科学—建筑设计及理论]