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作 者:纳秀艳 Na Xiuyan
出 处:《中原文化研究》2023年第6期59-67,共9页The Central Plains Culture Research
基 金:国家社会科学基金一般项目“古丝绸之路行旅诗与多元文化融合研究”(15BZW082)。
摘 要:元代丝绸之路的再度开拓,吸引了大量的西域人拥入中原,在促进多元文化汇聚融合的同时,改变了丝绸之路行旅诗创作的格局与风貌。主要表现在诗人群体的构成及其独特的精神风貌方面。其中,丝绸之路行旅诗由汉族与中原少数民族诗人及西域诗人两大群体构成。前者以汉族诗人为主体,兼有契丹诗人耶律楚材等,他们或描写丝绸之路沿途风物,或唱和抒怀,富有深沉多情的特征;后者因涉丝绸之路诸族诗人,群体构成尤为复杂,他们传世的诗歌并不多,在文化认同、价值追求等方面呈现出鲜明的群体特征。The re-excavation of the Silk Road in the Yuan Dynasty attracted a large number of people from the western regions to the central plains,which changed the pattern and style of the Silk Road travel poetry creation while promoting the convergence and integration of multiple cultures.It is mainly manifested in the composition of the poets’groups and their unique spiritual style.Among them,the Silk Road poetry consists of two major groups:Han poets,minority poets from the central plains and poets from the western regions.The former take Han poets as the main body,and the Khitan poet YelüChucai,they either describe the scenery along the Silk Road,or sing and express their feelings,rich in deep and sentimental characteristics.The latter group is particularly complex because of the poets of the Silk Road countries,and not many of their poems have been handed down,which shows distinct group characteristics in terms of cultural identity and value pursuit.
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