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作 者:蔡树才 彭安君 CAI Shucai;PENG Anjun(School of Arts,Minnan Normal University,Zhangzhou,Fujian 363000,China)
出 处:《吉林师范大学学报(人文社会科学版)》2023年第6期44-52,共9页Journal Of Jilin Normal University:Humanities & Social Science Edition
基 金:国家社会科学基金项目(21XZW044)。
摘 要:对读楚简《民之父母》与传世《礼记·孔子闲居》《孔子家语·论礼》可以发现,过去对简文以及“五至”“三无”的解释都难以自圆其说。简文是希望君子理解、接受礼乐自然而然地顺乎百姓、感通万物而产生的道理,以及万物相互成就的最本质关系,进而培养自己因顺、和合于万物的良知良能,实现人同外物一体之仁的存在境界;实际是主张诗乐在本质上是主客统一的,文艺和美是身心、主客、物我自然而然的和合对话中生成的新事物,而不是什么现成之物,与抒情、言志、表现说以及物感说、摹仿说、反映论、载道论等都存在差异。It can be found from reading the Chu bamboo slips Parents of the People and the handed down Book of Rites:Confucius’Leisure Residence and Confucius’Family Language:On Rites that the past explanations for the bamboo slips and the“Five Zhis”and“Three Noes”were difficult to justify.Jian Wen hopes that gentlemen can understand and accept the principle that etiquette and music naturally conform to the people and understand all things,as well as the essential relationship between all things and their mutu-al achievements,in order to cultivate their conscience and ability to conform to all things and achieve the realm of benevolence in the unity of human and external things.In fact,it advocates that poetry and music are essentially the unity of subject and object,and that literature and art and beauty are new things generat-ed through natural harmony and dialogue between body and mind,subject and object and self,rather than any ready-made things.There are differences between it and the theories of lyricism,expressing aspirations,expression,as well as the theories of material sense,imitation,reflection and carrying the Tao.
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